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When a director can take a reprehensible monster and, over the course of a scant 90 minutes, turn audience reaction from distaste to sympathy, that's the mark of an adept filmmaker. This occurs in Tsotsi, an emotionally honest tale of redemption t...

There's something compelling, and occasionally profound, about a well-made coming of age story. Perhaps part of the reason is that the experience, although shaded with subtle differences for each individual, is universal. Regardless of race, clas...

Two for the Money starts as a high voltage drama about the underbelly of the sports business - the multi-billion dollar gambling industry. The movie takes us into the warts-and-all world of 1-900 numbers and internet betting sites, bringing us on-...

History has decreed that Umberto D., a 1952 film from celebrated Italian director Vittorio De Sica, is one of the best representations of neo-realism committed to film. (Ingmar Bergman called it a “favorite movie” and Martin Scorsese labeled i...

Watching Undertone, I was often reminded of The Blair Witch Project. Both films involve a strong point-of-view approach, eschew many horror tropes, and conclude without a true ending. Undertone, however, is not a "found footage" film, at least in t...

Unfinished Business is bad - not epically bad but bad enough. Little contained in this misfire of a film works and the few successful things are dragged out to the point where they die a lingering death. In fact, it's odd that this movie was acco...

Robert Redford on a horse roaming the wide-open countryside of Wyoming - doesn't sound like much of a stretch, does it? What is unusual about Redford's participation in Lasse Hallström's An Unfinished Life is that the actor in as unkempt as he ha...

The average horror movie is rarely blessed with a complex storyline.  Unfriended takes this plot simplicity to an extreme. Since the movie-going experience in this case is all about the gimmick, the narrative is almost nonexistent. In a strange ...

A phrase I remember from a long-ago TV show argued: "A person is the sum of his memories." If that's the case, what's to be said about an adult man who loses his entire past in the span of one night? Does a loss of memory equate to a loss of iden...

Unleashed is two radically different movies fused into one. On their own, each of the films might have stood a chance of working, but, brought together in concert, the radical shifts in tone create a weird dichotomy that will distract and disorien...