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It's long past time that a filmmaker has shown the courage to expose the MPAA Ratings Board for what they are: censors working under the guise of servants to the public good. For those who have followed the ins-and-outs of the MPAA over the years,...

This Is England, the semi-autobiographical tale of writer/director Shaun Meadows, turns back the clock a quarter century and looks at the slow progression of a boy from a lonely outsider to a member of a racist gang. Despite a somewhat rushed endi...

By the time Thunderball, the fourth in the "official" James Bond film canon, was released, the "Bond Formula" had already been perfected. It goes something like this: take the suave 007 (always impeccably dressed and ready with a witty one-l...

The Tiger Hunter melds an affectionate drama about the so-called immigrant experience with sit-com-like humor that is more often distracting than amusing. When The Tiger Hunter works, it does so because of the honesty and openness of the scree...

Haunting and disturbing, Time is the kind of motion picture that gets under your skin and doesn't let go. It lingers long after the final credits have rolled and, for those who see it with friends, it will provoke endless post-movie discussions. A ...

Saying that Tin Cup may be the best-ever "golf motion picture" isn't exactly high praise, considering the competition (Caddyshack, Happy Gilmore), but it's true nonetheless. In fact, as sports movies go (regardless of the sport), this one turns in...

An astonishing motion picture by any standards, To Kill a Mockingbird only failed to win a Best Picture Oscar because it was in the running against Lawrence of Arabia. The minimalist might call this a "courtroom drama", but that would be selling t...

When one considers the films that won the Best Picture Oscar in the decade from 1956 through 1965, it’s evident that the Academy favored two kinds of productions: spectacles and musicals. During that span, there were two outliers: 1960’s T...

Top Gun is an ‘80s testosterone fix – a celebration of machismo and a recruiting film for the U.S. Navy. Typical of Jerry Bruckheimer/Don Simpson at their peak, the movie embraces masculine tropes to create a patchwork narrative that is almost...