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Although The End of Oak Street can't match the Spielberg-directed first two Jurassic Park films for scope, it isn't really trying to compete in that weight class. The Jurassic Park movies were franchise building blocks—major summer blockbusters ...

Had the storyline for The Mandalorian and Grogu been used for a three-episode arc in the Disney+ TV series, I don't think anyone would have minded. The plot isn't appalling; it's the kind of thing that one wants from a TV series—an episodic ...

Christopher Nolan's The Odyssey is a three-hour refutation of James Cameron's fallacious assertion that 3-D is necessary for complete cinematic immersion. On even a conventional screen, Nolan's reworking of Homer's epic tale towers over the audien...

The Super Mario Galaxy Movie, the sequel to Universal’s massively successful 2023 release, The Super Mario Bros. Movie, received its U.S. theatrical release on April 1, 2026, and I have to say that the joke is on us. If the first movie was a 90-...

When you make a movie like this well, it turns out something like Braveheart. When you make it poorly, you get The Uprising. Loosely based on the 1381 so-called "Peasants' Revolt" in England, the film purports to tell how three men – the unn...

A period piece thriller set during the Great Depression, The Weight echoes aspects of the classic The Wages of Fear without being a copy and suffers only from the occasional too-obvious contrivance used to increase suspense. Director Padraic McKin...

Over the years, World War II has proven to be fertile territory for the motion picture industry – so much so that nearly every conceivable tale, event, and “angle” has been covered. However, although the “nothing new under the sun” p...

You know what they say about "too much of a good thing?" That applies to They Will Kill You, the English-language debut of Russian filmmaker Kirill Sokolov, whose hyperkinetic approach to killing Satanic cultists is initially funny, bracing, and t...

Thieves is André Téchiné's followup to his unexpectedly successful 1995 art-house entry, Wild Reeds. In fact, Téchiné drew so much interest for his installment of the French TV series, All the Boys and Girls of the World, that Filmopolis Pict...

A Thin Line Between Love and Hate is muddled to the point of tedium. The screenplay is credited to four writers, and its unevenness argues that none of them were on the same wavelength. Subplots start but never finish, characters come and go...