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When it comes to movies, I am not a crusader. Rarely do I find the content of a motion picture objectionable on ethical grounds. Then again, films as morally repugnant as Captivity don't come along too often (thankfully). There is no requirement...

Caramel could easily be dubbed a Lebanese version of Salon. The movie, the directorial debut of writer/director/actress Nadine Labaki, follows the lives and loves of five women whose paths criss-cross in Beirut. As is often the case with ensemble...

It's probably unfair to blame the failure of Carrie on Steven King. While it's true that the script, written by Lawrence D. Cohen and based on King's novel, is a mishmash of clichés and poorly-realized characters, director Brian De Palma des...

In 2002, Paul Neman made his final live-action film, The Road to Perdition. Following that performance, he retired, making only a few TV appearances. He made one exception, providing the voice of Doc Hudson in Pixar’s 2006 animated feature, C...

With Carter & June, director/co-writer Nicholas Kalikow is aiming for a post-Tarantino thriller that incorporates violence and humor into a story about lowlifes, gangsters, and other assorted bottom-feeders, some of whom wear badges and c...

The only James Bond story for which Albert Broccoli never obtained the rights is Casino Royale. Those are held by Charles Feldman, who, following the success of Dr. No, From Russia with Love, and Goldfinger, decided that he wanted to make his ...

With Cassandra's Dream, we may finally be seeing confirmation of what many have suspected for years: that Woody Allen's period of greatness as a filmmaker is over. A few years ago, Match Point provided hope that we might be observing a re-invention...

Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imagina...

I have a strong dislike for artificial drama - stories where the so-called "characters" are little more than pawns for the screenplay to move around like pieces on a chess board. Such is the unfortunate case with Chaos Theory, a bogus and unconvin...

It's a given that most comedies centered around kids and high schools will involve, to one degree or another, the subject of popularity. For the average teenager, few things are more important than being liked. The ultimate high is being recognize...