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When Ridley Scott released Prometheus five years ago, his stated intention was to explore a new story in the Alien universe. He had limited enthusiasm for continuing the evolution of the xenomorph he first brought to the screen in 1979 but mar...

In Ridley Scott’s All the Money in the World, Christopher Plummer’s performance is by far the best thing and the scenes in which he appears are the most compelling. The irony of those statements is evident since Plummer wasn’t in the ori...

Spoilers ahoy!Allure is the psychological study of a disturbed thirtysomething woman and the unhealthy relationship she develops with a girl half her age. Despite a threadbare screenplay featuring overfamiliar motifs, the movie gains traction ...

I have always felt that Fellini is an acquired taste, and it’s one for which I never developed a ravenous appetite. While I value the director’s flamboyancy, his work has never connected with me in the same way as the output of many of the...

American Assassin is as generic an espionage thriller as you’re likely to find. Leaving no cliché unturned and offering a roster of predictable “twists” and unsurprising “surprises”, the production seems more like it was assembled f...

American Gangster is compelling in the same way that many mob-related motion pictures are compelling, but it fails to achieve the greatness that the best of them attain. The problem with American Gangster may be that it tries to hard to provide bal...

American Made is loosely – very, very loosely – based on true events. Ultimately, however, little of the real Barry Seal’s life has made it into the film, which is used by director Doug Liman (The Bourne Identity, Edge of Tomorrow) and ...

An American Werewolf in Paris is a failed attempt to recapture the humor and horror of John Landis' 1981 feature, An American Werewolf in London. Where the original had comedy, the sequel has the kind of revolting silliness that can be found in TV...

Here's a word analogy: Amistad is to The Lost World as Schindler's List is to Jurassic Park. In 1993, after Steven Spielberg made the monster dino hit, many critics described Schindler's List as the director's "penance" (as if there was a need for...

Finally, there's a legitimate challenge to Disney. And, while it's unlikely that Twentieth Century Fox's Anastasia will break the Mouse's stranglehold on animated films, it's a good place to start. Anastasia is easily the best non-Disney anim...