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"Through the travail of ages Midst the pomp and toils of war, Have I fought and strove and perished Countless times upon a star. As if through a glass, and darkly, The age-old strife I see, For I fought in many guises, many names, But a...

When the collaboration of Steven Spielberg, Jeffrey Katzenberg, and David Geffen on a new production company was first announced, it became the talk of the entertainment world. Soon, deals were being signed, contracts inked, and films placed into ...

What would happen if a late-night, D-grade direct-to-cable thriller excised all of the raunchily enjoyable elements and managed to attract an A-list cast? The result might be shockingly like Perfect Stranger, a movie so inane that it fails to rise...

Phantom Thread, Paul Thomas Anderson’s follow-up to 2014’s Inherent Vice, feels a little like a mash-up of Bergman and Hitchcock without the verve of the latter and the subtleties of the former. What begins as a stately costume drama set i...

When it comes to the final hour, Pirates of the Caribbean: At World's End, delivers the goods. The last 60 minutes offer adventure as rousing as anything provided in either of the previous installments, Pirates of the Caribbean: Curse of the Black...

Dead Men Tell No Tales is the fifth entry into a veteran franchise that may finally have run out of both ideas and box office clout. Concerning the latter, this movie isn’t expected to do the same kind of business as any of the previous Pira...

How does one go about reviewing a movie that is as widely considered “the worst movie ever made” as Citizen Kane is deemed to be the best? It’s especially difficult when one considers that the film’s reputation dwarfs its reality. It h...

Planes, Trains, and Automobiles, a 1987 feature from John Hughes, represented something of a watershed in the career of the prolific writer/director/producer. Prior to this film, Hughes had been known for his contribution to the popular '80s genre...

Playtime, the 1967 comedy from acclaimed French director Jacques Tati, is an odd film (even coming out of a tradition of filmmaking that prided itself on defying conventions and breaking barriers). With no real plot and little in the way of ch...