Search for 7

When considering a title like Two Girls and a Guy, one can be forgiven for expecting something a little risqué. (In fact, a friend of mine quipped, "I didn't think you reviewed movies like that.") Add to that the swirl of controversy regarding t...

It would be easy to get hung up on the illegal immigration issue when discussing Under the Same Moon. Indeed, the filmmakers don't make a secret of their feelings about it; they believe the current policy to be repressive and biased. However, the...

There are times when a performance can carry an entire motion picture, and Under the Skin is an example. The subject matter, while not inherently uninteresting, doesn't break barriers or attempt anything radical. The script is solid and effective...

Slowly, the camera pans across the brick facade of a New York City apartment building, pausing only when it comes to a window. Inside, a nearly-nude couple is snuggling together, not yet awake to the new day. The camera moves on implacably, s...

The Untouchables is a tour de force, the pinnacle of a career. For Brian De Palma, known best for his stylish crafting of Hitchcock-influenced plots, The Untouchables represents not only a departure from the norm, but an unqualified triumph. This...

Vacancy is a nicely compact, tense thriller that loses a little of its punch as a result of a rushed, generic ending. For the most part, the English-language debut of Nimrod Atal (Kontroll) offers a strong sense of atmosphere and escalating suspen...

Is it unfair to compare Luc Besson to Michael Bay? Some would argue that it is but I’m not sure Besson would be among them. Both directors make the movies they want to make and, although there’s more artistry evident in Besson’s work, th...

Suicide. Despite its growing prevalence in modern society, few filmmakers tackle this issue, at least not in a serious fashion. The Valley, set in California’s tech-heavy Silicon Valley, examines the impact of a young woman’s suicide on tho...

Victoria and Abdul, based on (mostly) true events as related in Shrabani Basu’s historical chronicle of the same name, is effectively a sequel to the 1997 film, Mrs. Brown. That movie, directed by John Madden, detailed Queen Victoria’s fri...

It's a pleasant thing to encounter occasionally a movie in which people are portrayed as decent (if flawed) individuals. In The Visitor, there are no human villains. No one wears a black hat. The antagonist is The System - the nameless, faceless...