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Ghost Town is one of those romantic comedies that never quite clicks. At times, its humor is effective, provoking chuckles and laughs. At other times, the comedy feels forced and awkward. The romantic element is equally hit-and-miss. The chemis...

Let me begin this review of the 2016 Ghostbusters remake by pretending there was no 1984 iteration. How enjoyable would the film be if it didn’t have such enormous baggage, if it didn’t emerge under the long shadow of a beloved predecesso...

Get ready for a deep dive into nostalgia. Ghostbusters: Afterlife, although boasting a next generation of Ghostbusters, works best for those who have seen (and at least somewhat remember) the original two Ivan Reitman films from the ‘80s. Althou...

Gigantic is an offbeat romantic comedy that almost - but not quite - works. The characters and situations are a little too quirky for their own good. Everyone is skewed off-center and, while that can be charming in small measures, Gigantic overdo...

When it won the Best Picture Oscar at the 1959 ceremony, Gigi became only the second “pure” musical (after An American in Paris) to win that award. It was a harbinger of things to come. The 1960s would become known as the decade of the mus...

Combine the talents of director Robert Altman and actors Kenneth Branagh and Robert Duvall, and you have the apparent recipe for a motion picture worth waiting for. But, although The Gingerbread Man is a finely-tuned example of mainstream entertai...

When Stieg Larsson died unexpectedly in 2004, he left behind three novels that would become worldwide sensations only after his death. The trilogy, which began in The Girl with the Dragon Tattoo, introduced Swedish journalist Mikael Blomkvist ...

Glory is, without question, one of the best movies ever made about the American Civil War (a.k.a. "The War Between the States"). The reason isn't just the way in which Kevin Jarre's script illuminates a frequent oversight of history books, nor is ...

Frankenstein. The Old Dark House. The Invisible Man. The Bride of Frankenstein. Show Boat. Although this may sound like one of those "which doesn't belong" games, there is a common element to all five '30s motion pictures - they are the en...

Godzilla is the ultimate culmination of the "who cares about plot" summer movie. A loose remake of the 1954 "classic" Japanese monster movie, Godzilla, King of the Monsters (which is itself pretty thin in the story department), Roland Emmerich...