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And now for something completely different... Originally released in New Zealand during 1989, Peter Jackson's cult hit Meet the Feebles is only now receiving its official United States "tour", opening for short runs in select art houses acro...

In a way, I feel like the victim of a bait-and-switch scheme.  The movie I saw isn’t the one advertised in the trailers. As marketed, The Meg looks like a breezy, campy monster movie that supersizes Jaws with an infusion of Jurassic Park. I...

If there's one thing to be disliked about Mesrine: Killer Instinct, it's the inauspicious ending. Part One of a two-part saga (with the conclusion in Mesrine: Public Enemy Number One), the movie feels incomplete, which is unsurprising considering ...

Mesrine: Public Enemy No. 1 concludes the story begun in Mesrine: Killer Instinct. Although the two pieces can be seen as halves of a whole, it's not hard to understand why the project was bisected. Shootouts, prison escapes, and random acts of v...

If you’re in the mood for an overdose of (early) ‘80s nostalgia, Midnight Madness has your fix. Watching the film, which was made in 1980, offers a reflection of the kind of escapism that dominated the teen-oriented cinema of the era. Toda...

When Mighty Joe Young first reached screens in 1949, nearly everyone recognized it as an attempt to re-create the magic and mystique of King Kong. Many of the same people were involved -- Ernest B. Schoedsack in the director's chair, Robert Armstr...

For some reason, there has been a move by a few critics to politicize their reviews of Mile 22, Peter Berg’s tightly-constructed espionage thriller. I guess one side-effect of living in a hyper-partisan era is that some films aren’t allowe...

30 years have passed since the assassination of San Francisco Supervisor Harvey Milk and, the ballot passage of California's recent Proposition 8 notwithstanding, advances have been made in the area of gay rights, although there are still many hurd...

Recently, Spike Lee was in the news feuding with Clint Eastwood about the absence of black servicemen in Eastwood's recent Iwo Jima duology. According to Lee, Eastwood ignored history in Flags of Our Fathers and Letters from Iwo Jima by not making...

When it comes to horror films, there's one basic principal to consider: consistency means everything. A movie can deviate as much as the filmmakers like from the laws of the real world as long as they establish and adhere to an alternate set of ru...