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The turning point in Christina Ricci's career came when she chose to appear in Ang Lee's The Ice Storm. Since then, nothing has been the same for the up-and-coming performer. Before the 1997 feature, Ricci had turned up in host of bland, family-o...

The passage of time often impacts how films are viewed. Some, like Citizen Kane, evolve from being modest successes into masterpieces. Others, like Robert Redford's Ordinary People, do not fare as well. Lauded by critics and the Academy alike, O...

Historical dramas aren't as popular as they were during the years when they were routinely clogging Oscar nomination lists and taking home awards, so it's a source of curiosity every time one comes out to see what concessions have been made to incr...

Watching Out of Africa a quarter of a century after its release, it's almost impossible to guess how it won the Oscar for Best Picture. There's little doubt that this is a feast for the eyes and ears. The pairing of John Barry's lush score with D...

In the middle of the summer movie season, when most films are designed with the intelligence of a seven year-old for viewers with the attention span of someone even younger, it's refreshing to find a picture like Out of Sight, which is not only...

Outlaw King, a lavish period piece fronted by Chris Pine and Stephen Dillane, could be seen as a follow-up to Mel Gibson’s Oscar-winning Braveheart, although this new production lacks the epic greatness that infused the earlier film. Pickin...

To fashion an endearing romantic comedy, there are only a few simple rules to be followed: find two likeable leads whose chemistry sizzles, provide them with a simple framework that allows them to gradually fall for each other in such a way that th...

I don’t understand how certain films are selected for remakes. Take Overboard, for example. The original, a 1987 production starring Goldie Hawn and Kurt Russell and directed by Frank Marshall, was a mostly failed screwball comedy that worke...

Is this the future of blockbuster movies? Films made with more concern for the international box office than the domestic one, where the universal language is the clash of pixels? It’s no secret that, based exclusively on its U.S. receipts, ...

It never fails to amaze me that something as essentially light and pointless as Disney's remake of The Parent Trap can clock in at over two hours in length. This is one of those movies that has difficulty sustaining any kind of comic or dramatic m...