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Commandment Five: "Thou shalt not kill." A Short Film About Killing, Krzysztof Kieslowski's powerful examination of the nature of murder, was a stunning success at the 1988 Cannes Film Festival, taking home the Jury prize. In the same year, t...

Commandment Six: "Thou shalt not commit adultery." A Short Film About Love, the second of Krzysztof Kieslowski's Decalogue episodes to be transformed into a feature film (the other being A Short Film about Killing), takes a unique look at the ...

Hollywood films about teenage girls invariably focus on two things: boyfriends and popularity. It's not surprising, since those two aspects of high school life comprise a significant portion of the average teenager's existence. With hormones rag...

The Asian horror remake subgenre has gone through all the stages of bread: at first, it was a fresh alternative to generic American horror then, as more product came out of the cinematic oven, it grew increasingly stale. Now, it's rock hard and mo...

I can understand director Matthew Ross’ dilemma. In order to get Siberia made, he needed a “name” to become involved. That “name” was Keanu Reeves. Unfortunately, Reeves lacks the intensity necessary to play the main character, Lucas...

Sicario: Day of the Soldado joins Deadpool 2 and Incredibles 2 as summer 2018 sequels that, despite not being on quite the same levels as their predecessors, provide reasons to make trips to theaters. Although not a direct continuation of the ...

It's not hard to argue that Edward Zwick is one of the best Hollywood film makers toiling in obscurity. Although the average movie-goer recognizes the names of directors like Scorsese, Spielberg, Zemeckis, and Stone, Zwick is relatively unknown. ...

Edmond Rostand doesn’t get an “official” credit for “story by” but anyone claiming familiarity with Cyrano de Bergerac will immediately recognize where screenwriter Lindsey Beer drew her inspiration. It’s not unusual for a modern-da...

Somewhere in Simon Birch, buried not too deeply beneath the surface, lie the seeds of a moving story. Unfortunately, as told by Mark Steven Johnson, this loose adaptation of John Irving's "A Prayer for Owen Meany" is a relentlessly manipulativ...

There’s a trick to doing a psychological thriller right. Hitchcock understood it. So did Chabrol and the Coens. Paul Feig, however, needs to brush up a little more on his technique. Tone is one of the biggest problems with A Simple Favor, a...