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Supergirl holds the distinction of being the worst movie made during the Salkind Era of Superman (which began with 1978’s Superman and ended with 1987’s Superman IV: The Quest for Peace, although by then the Salkinds had sold the rights to Gol...

To date, the 1978 theatrical version of Superman remains the only motion picture based on a comic book to have a lush, epic feel. Developed by Godfather scribe Mario Puzo with reverence for the venerable superhero, Superman pays homage to the lege...

According to the original plan, Superman II was intended to be released six months after the original Superman (in fact, the end credits for Superman contain the following statement: "Coming Next Summer: Superman II"). The idea had been to film t...

Talk about movies that haven’t aged well… Seen a couple of decades into the 21st century, this 1983 relic is an embarrassment. Come to think of it, however, it wasn’t that great when it came out. There are three major problem areas: the scri...

In 1987, Superman returned to the big screen after a four-year absence. The fanfare was more muted than it had been for any of the previous three entries into the franchise, including the critically lambasted and fan-unfriendly Superman III, which...

Let me admit to loving the premise behind Supervized. The problem is that a movie needs more than a great premise – it needs to grow and nurture that idea, and that’s where Supervized falls short. To an extent and for a while, the film get...

When The Sure Thing was released in 1985, it was out of step with the times. Teen comedies in those years were saturated with sex and broad humor. Romance and realism (even to a modest degree) were undesirable relics of a bygone era. Nevertheles...

Surrogates was not pre-screened for critics. Most of the time, I understand when a studio takes this route - it's a way to avoid undue negative publicity before the release of a movie that is recognized behind-the-scenes as being a turd. Once in ...

For a 20 year period, from the release of Day of the Dead in 1985 to the opening of Land of the Dead in 2005, George A. Romero was off doing other things. Since then, however, this one-time horror innovator has become a one-trick pony. Admittedly...

The Sweet Hereafter is film maker Atom Egoyan's most compelling movie to date. Amplifying many of the themes explored in his previous outing, Exotica, the Canadian director/writer/producer shows the powerful effects of grief and anger on a com...