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Get Out was one of the most talked-about and commonly dissected horror films of the decade and it thrust first-time director Jordan Peele firmly into the spotlight. Now, two years later, Peel has answered the “what’s next?” question with Us,...

The "usual suspects" are five men: Dean Keaton (Gabriel Byrne), an ex-cop-turned-crook who's known for his steely demeanor and nerves of iron; Michael McManus (Stephen Baldwin), a psycho entry man; Todd Hockney (Kevin Pollak), a hardware specialis...

Valley Girl is a re-imagination of the 1983 film for a generation raised on Baz Luhrmann films and Glee. It’s a celebration of kitsch and of the ‘80s as they’re remembered (not as they actually were). Everything about director Rachel Le...

It seems that movie makers have lost the art of creating a good, scary vampire flick. The last such film to grace the screen was probably Fright Night, and that was a decade ago. Since then, the "sensitive" vampire has come into vogue -- a creatu...

Finally, the entire Barrytown Trilogy has made it to the screen. The process started back in 1991, when Alan Parker made The Commitments. It continued in '93, when Stephen Frears filmed The Snapper. Now, with the addition of 1996's The Va...

Move aside, Dennis Hopper. Step down, Alan Rickman. I am now convinced that no one can match Jon Voight when it comes to playing a thoroughly detestable bad guy. With his calm, sinister demeanor and menacing facial expression, Voight has the abi...

Seeing the newly-restored, 70 mm print of Vertigo in a theater is an experience that no fan of Hitchcock, or of cinema in general, should miss. Especially for those (like me) whose sole exposure to the film has been through faded, deterioratin...

A View to a Kill represents the farewell bow of two long-time Bond film actors: Lois Maxwell, who portrayed Miss Moneypenny in all fourteen official movies from Dr. No to this one, and Roger Moore. While Moore's stamp on Bond was never as memo...

Spoiler warning: The movie is based on real people and events so I am less constrained about revealing certain historical facts than I might be with a fictional account. The story told in Vincere, despite being as faithful to history as one can ...

When it was released in 1961, Viridiana was seen as shocking by some, blasphemous by others, and even deemed controversial by those accustomed to European filmmakers coloring outside the lines. Today, the “edgy” and “envelope-pushing” ...