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There are two kinds of viewers for The X-Files movie: those have seen at least a few episodes of the TV series and those who have never watched it. I am a member of the latter group, so that's the perspective from which this review is written. ...

2008 was the year in which the comic book superhero came of age. Films like Iron Man and especially The Dark Knight illustrated what was possible when a motion picture dared to take its characters out of the comfortable box in which too many super...

How, one might ask, does one begin to defend Xanadu? To start with, by looking at it without any pretensions and seeing it for what it is. Conventional wisdom decrees that Xanadu is a horrible film. In a sense, conventional wisdom may be correct...

Certain historical periods provide rich and varied soil for the cultivation of motion picture storylines. The twilight of the Roman Empire is one. The American Civil War is another. World War II marks a third. And a fourth is the Chinese "Cultu...

For his directorial debut, Idris Elba has elected to work in a genre he’s comfortable with – the crime thriller. The actor-turned-director is not, however, content merely to regurgitate bits and pieces of productions in which he has appear...

Two weeks ago, I wrote that, while watching Land of the Lost, I felt a sense of depression. That feeling revisited me during Year One, an inexplicably unfunny comedy made by two people who have proven they can do much better: director/co-writer Ha...

Although the idea behind Yesterday was to craft a love-letter to The Beatles, the end result tastes a lot like a typical Richard Curtis rom-com with a generous helping of John-Paul-George-Ringo gravy. Less reliant on pop music than either Bohe...

Of all the great foreign film directors to obtain U.S. releases for their movies, Akira Kurosawa can arguably boast the highest number of viewers. One of the reasons for this is that Kurosawa was heavily influenced by Hollywood - as can be seen in...

The term "Capra-corn" was coined for movies such as this one: feel-good endeavors that emphasize the better portions of human nature over the base, venal ones. With Capra, no matter how dark things got in the middle (and it's tough to get darker ...

You Don’t Nomi is a 2019 documentary that takes a fond look back at the deservedly derided Paul Vehoeven/Joe Eszterhas box office bomb, Showgirls. Although director Jeffrey McHale approaches the retrospective from a decidedly subjective poin...