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It must be that I just don't get French humor, or at least not of the sort that attracts French movie-goers to theaters like bugs to bright lights. Several years ago, The Visitors became one of the top homemade box office successes in French histo...

More than 30 years after its initial release, The Dirty Dozen remains one of the most popular war films ever to grace the silver screen - a reputation that not even three bad made-for-TV sequels in the late '80s could tarnish. A quintessential "gu...

With a title like Dirty Rotten Scoundrels, one shouldn’t expect to take the movie seriously and that’s the attitude the filmmakers anticipated audiences to have. A comedy caper that relies more on the charm of its stars than the twistiness...

When I first saw The Disappearance of Alice Creed at the 2009 Toronto Film Festival, I thought it was a sure bet to be picked up for United States art house distribution. I was wrong. Eventually, however, after the dust from the festival had sett...

Recently, Barry Levinson's career has been on the skids. After two critical and popular disasters (the overblown, overbudgeted Toys and the lackluster Jimmy Hollywood), the director is in need of a success. With this adaptation of Michael Crichton...

It is universally acknowledged (at least by those who don't play with Transformers toys) that the best science fiction stories are those that use the devices of aliens, robots, and space ships to illustrate some greater truth. Star Trek (the TV se...

With the tenacity of a bulldog, Spike Lee ruthlessly and sometimes recklessly defies mainstream expectations and courts controversy with every film he releases. Some find Lee to be a fresh and powerful voice in American cinema – a man who is una...

Thirty-six years after publishing The Shining, Stephen King returned to the world where the Overlook Hotel once stood to catch up with how things have been going for the now-adult character of Danny Torrance. The lure of making a movie...

Dog Day Afternoon was unquestionably one of the most memorable films to emerge from the pre-blockbuster era of the mid-1970s. Headlined by Al Pacino and John Cazale—both elevated to A-list status by the two Godfather films—and directed by vete...

Dolemite Is My Name isn’t only a biopic of the comedian/actor/musician Rudy Ray Moore, it’s Eddie Murphy’s Valentine to one of the most outrageous figures in ‘70s Blaxploitation films. Murphy has long desired to make a movie about Moor...