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While it might be a stretch to claim that Fantastic Mr. Fox is "fantastic," it's easily among the year's best animated features. If there's an argument against the film (and, admittedly, it's not much of an argument), it's that the movie may not b...

Farewell My Concubine spans fifty-three years, presenting the lives of two men against the historical backdrop of a country in upheaval. Initially banned in China but shown to international acclaim, Chen Kaige's film is one of the year's true mast...

It’s said that the only two certainties in life are death and taxes. When it comes to the former, the ramifications touch more than just the individual involved. Different cultures address death differently. Despite this, however, there’s ...

Fargo takes the usual "caper gone wrong" storyline and applies a new twist. Based on a supposed series of "true events" from 1987 (a tongue-in-cheek claim made by a screen caption), the film examines what can happen when the police and criminals a...

Fast & Furious brings back the cast of the original The Fast and the Furious in a blatant attempt to reconnect with viewers who have drifted away over the course of two weak sequels. This represents the only time Vin Diesel and Paul Walker hav...

Because Fast Times at Ridgemont High arrived in movie theaters during the height of the '80s "teenspoitation" era, it has often been unfairly lumped together with Porky's and its successors and copycats. In reality, Fast Times is smarter and more per...

Spoiler Alert: This review mentions a key event that occurs mid-way through the movie. Those wishing a "virgin viewing experience" for The Father of My Children are urged to stop reading here and return to the review once they have seen the film. ...

Fathers' Day simply has to be seen to be believed. It's beyond my comprehension how a motion picture with so much talent associated with it -- actors Robin Williams and Billy Crystal, super-producer Joel Silver, and director Ivan Reitman -- can be...

It's too bad the title The Good, the Bad, and the Ugly was already taken, because it would have been the perfect moniker for Fear and Loathing in Las Vegas, Terry Gilliam's adaptation of Hunter S. Thompson's book (emphasis on "the bad and the ugly"...

Feast of July, which arrives under the Merchant/Ivory umbrella (Ismail Merchant having served as executive producer), is much like a big screen version of a double-length Masterpiece Theater episode. By turns tragic and beautiful, but always atmos...