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Chinatown is unquestionably one of the best films to emerge from the 1970s, a period that has been called the "last great decade of American cinema" by more than one movie critic. The production, which went in front of the cameras without a final ...

Based on a perusal of reviews for Cloud Atlas, one might be convinced that the sprawling, ambitious, epic adaptation of David Mitchell's 2004 novel is either a masterpiece or an unmitigated disaster. The reality is somewhere in between. It's hard t...

Collateral is a classic example of how casting against type can sometimes result in a remarkable success. Here we have Tom Cruise, who has spent the majority of his career playing the good-looking, likeable, action/romantic lead, placed into the r...

It’s easy to understand why Collateral Beauty, at one time viewed as a potential Oscar contender, was removed from awards consideration by Warner Brothers. (They decided to dump it into theaters on the same day as Rogue One, possibly hoping no ...

Once, Arnold Schwarzenegger strode across the screen like a god. Never an actor, but always an icon, Schwarzenegger's presence was so commanding that even his critics were forced to take notice. Part charisma, part swagger, he would blow into mul...

At the very least, it's necessary to respect what the filmmakers try to do with Couples Retreat, even if the end result isn't fully successful or satisfying. Their goal is to take the basic template for a raunchy sex comedy and change it up by ins...

At first glance, Creative Control appears to be sci-fi. It takes place in the (near) future and focuses on technology that probably isn’t far from being accessible. On closer examination, however, it at times plays more like an absurdist comedy...

When a movie invites comparisons to the work of James Cameron and Christopher Nolan, it’s apparent that the director (in this case, Gareth Edwards) has done something very right. The Creator may rely on numerous common science fiction concepts b...

Terror Has Teeth! As taglines go, that pretty much tells you what to expect. Creature, a no-budget horror movie whose financial limitations are repeatedly on display, tries to get by with an oversaturation of gore and camp. Lovers of cheap, grad...

Renny Harlin, whose previous directorial efforts include Die Hard 2 and Cliffhanger, seems fond of big, explosive action pictures. Unfortunately, excepting his debut (the middle film in the Die Hard trilogy), plot coherency hasn't been a particula...