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Note to readers: this review contains spoilers. If you care, come back and read the review after you have endured the torture that is Halloween: Resurrection. There are three levels of quality in the horror genre, all of which are represented in...

From a purely business standpoint, the decision to bifurcate Harry Potter and the Deathly Hallows is a winner. Instead of cashing in about $300 million at the domestic box office, Warner Brothers can now count on at least $600 million (bigger worl...

Seen in the Real3D format. After ten years and eight movies, the cinematic adventures of Harry Potter have come to a conclusion. Parties will be held, tears will be shed, and Warner Brothers will rejoice that a franchise like this keeps giving l...

Harry Potter and the Half-Blood Prince represents the immensely popular series' first outing without the net of having new books waiting in the wings. As far as the written word is concerned, Harry's tale is done. Cinematically, there are still t...

Herbie: the car that won't die. I suppose there are worse ways to spend a summer evening than in the company of this cast and the R2D2-like automobile, but hasn't the day of Herbie come and gone? The Love Bug first made its appearance in the 1968...

It is my fondest dream that some day filmmakers will realize that great visual effects do not by themselves equate to a worthwhile motion picture experience. However, until that state of cinematic utopia arrives, audiences will be forced to endure...

The awkwardly-titled The House with a Clock in Its Walls is a classic example of a film that works better for children than adults. Seemingly made with the under-10 crowd in mind, the screenplay (credited to Eric Kripke, adapting the book by J...

One could easily make the argument that How to Lose a Guy in 10 Days is a perfectly acceptable diversion. Kate Hudson's Andie Anderson and Matthew McConaughey's Ben Barry are both affable individuals and, when the script allows it, there are fitfu...

How to Lose Friends and Alienate People is an uneasy marriage of satire and romantic comedy. The film's inability to decide whether it wants to be sweet and life-affirming or vicious and nasty creates not only a disconnect on the story level but r...

I Am Love falls into the select category of films that are easier to admire than like. Director Luca Guadagnino's arm's length approach to the story creates a buffer between the audience and the main character - something that works well during th...