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Undoubtedly, some reviews are going to describe Inception as confusing. Such a description confounds me, and may be more indicative of how accepting people have become of screenplays that allow for no ambiguity and traverse plotlines by blazing tr...

The 2003 version of The Italian Job is less of a straightforward remake of the 1969 picture than it is a complete re-interpretation. Enough has changed that it's possible to see the two films not as the same story separated by three decades, but a...

One aspect that virtually assures a good motion picture is solid character development (sometimes referred to as a "character arc"). It doesn't matter if it's a mainstream movie or an offbeat indie - any narrative-based film benefits if the charact...

Legally Blonde fits into the niche occupied by motion pictures like Clueless, Dick, and Romy and Michelle's High School Reunion - that is to say, films in which an airhead heroine captures our affection and overcomes her vacuous disability to trium...

Legally Blonde 2 should never have been made. It is a cinematic abomination - a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments ar...

Love Actually doesn't have a cynical frame in its celluloid. It's for all those romantics who think there aren't enough happy endings. Richard Curtis' movie dips so deep into the well of feel-good sentiment that it will threaten to send some audi...