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Nanny McPhee is an excellent movie… if you're a seven-year old girl. That's less a negative evaluation than it is a statement of fact. This isn't a "family film;" it's a "children's film." What's more, it's for girls who are old enough to unde...

There are two ways in which one can consider The Nativity Story. As a piece of religious instruction or an animated version of a crèche, it accomplishes its aims. As a movie, however, it's slow, plodding, and not terribly interesting. There's a...

No Hard Feelings is an odd movie in that films of this sort have fallen out of vogue in the 21st century and are rarely accorded any sort of theatrical release. (The box office results will determine whether the decision to reject a direct-to-stre...

Consider this situation: two people approach an intersection from different vantage points. When an accident occurs, they both observe the same facts, yet afterwards their versions of events differ considerably. Neither is lying; rather, it is t...

On the Basis of Sex is a perfectly adequate bio-pic focused on the early life and courtroom baptism of now-Justice Ruth Bader Ginsburg. Although less illuminating and more filled with Hollywood claptrap than the recent documentary hagiography ...

Pixar has run out of material for sequels, so it’s back to the drawing board and the creation of original films with the hope that one or more of them will develop a strong enough following to warrant follow-ups down the line. Onward, the fi...

Anyone who expects historical accuracy from a Disney animated feature should be ashamed of themself. Those approaching Pocahontas in anticipation of a true-to-history account of the early days of Jamestown are in for a rude awakening. In real...

If one looks back at U.S. history during the 1970s, the importance of The Washington Post immediately becomes clear. The paper, which began the decade as just another local daily with little national prominence, concluded it as an important b...

The Postman, an Italian film from British director Michael Radford (White Mischief, The Elixir), is a charming piece of cinema that takes several comfortable formulas and expands upon them in ingenious and emotionally-satisfying ways. There's a li...

A combination of fanciful conjecture and historical fact, Professor Marston & the Wonder Women represents not only a historical primer on sexual repression during the first half of the 20th Century but unlocks the code to “understanding” wh...