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With the introduction of Captain Marvel into an already crowded field, the MCU has become unbalanced. Ordinary villains might as well give up and conventional heroes can retire. For decades, Warner Brothers/DC has had trouble figuring out how ...

Caramel could easily be dubbed a Lebanese version of Salon. The movie, the directorial debut of writer/director/actress Nadine Labaki, follows the lives and loves of five women whose paths criss-cross in Beirut. As is often the case with ensemble...

Catch and Release is a confused, disjointed motion picture that tries to be many things and succeeds in being none. In less than two hours (although it feels considerably longer), writer/director Susannah Grant cobbles together nearly every imagina...

As family features go, Charlotte's Web may be the best we have seen in a while. Technically adept and surprisingly affecting, the movie translates E.B. White's children's book into a motion picture that will enthrall children and engage their paren...

Since imprinting his name on the international indie box office with his mid-'90s one-two punch of Exotica and The Sweet Hereafter, Toronto-based filmmaker Atom Egoyan has been struggling to regain his footing. In one way or another, his last few ...

The Cooler, as icy a title as you're likely to find, is about the efforts of one man to find his luck (or, to be more precise, some form of luck other than that of the bad variety). Rarely has a more pathetic individual been captured and portrayed ...

Roland Emmerich must dislike New York City. After all, this is the third time he has destroyed it. The Day After Tomorrow, an ode to an apocalyptic endgame of global warming, is an old-fashioned disaster film with modern-day special effects. It'...