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After the Sunset is a mess, but it's a breezy, fun mess. No one is ever going to mistake this for great art, but it has a charismatic cast, moves with an effortless pace, and, in the end, almost makes you forget that it doesn't do anything memorab...

When Ridley Scott released Prometheus five years ago, his stated intention was to explore a new story in the Alien universe. He had limited enthusiasm for continuing the evolution of the xenomorph he first brought to the screen in 1979 but mar...

Had The Alto Knights been made a little more than a quarter-century ago, it would likely have generated interest and excitement, even if the end result isn’t deserving of either. After all, back in the late 1990s, director Barry Levinson was nea...

Over the past couple of years, Marvel Studios has ridden the crest of an incredible wave, culminating in the 2018 one-two punch of Black Panther and Avengers: Infinity War. A drop-off was perhaps inevitable but I doubt anyone expected it to be ...

Antebellum, a Twilight Zone-ish thriller from the writing/directing duo of Gerard Bush & Christopher Renz, takes its time establishing itself as one thing before transitioning to something completely different. The non-chronological nature of ...

For Ask the Dust, director Robert Towne, adapting the novel by John Fante, has returned to the time and place of his greatest cinematic endeavor: Los Angeles in the 1930s. The setting, however, is the only similarity between Ask the Dust and China...

Babylon A.D. has the look and feel of a skeleton: an unfinished outline that whooshes by so fast that it becomes incomprehensible as its storyline and characters are lost in a flurry of fast cuts and poorly choreographed action sequences. The film...

U.S. immigration laws are filled with incongruities and loopholes. In Blue Bayou, writer/director/star Juston Chon addresses one of the least-known and most egregiously unfair: that a young child adopted from a foreign country, even if his/her...