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On April 30, 1980, six men invaded the Iranian Embassy in Princes Gate, London. The resulting crisis, in which 26 people were taken hostage, led to a daring rescue by England’s special forces after six days’ of tense negotiations went nowh...

The Batman, a reboot of DC comics’ most popular character, brings the franchise back into the shadows successfully embraced by Christopher Nolan’s phenomenally popular take but without the fetishism of the Burton/Schumacher years or the excess...

It is said that films are not made about fully functional families because their stories are inherently uninteresting. The Boys Are Back shows that dysfunction doesn't necessarily equate to compelling. There's nothing terribly wrong with this lei...

It's amazing how many 19th century authors have received motion picture treatments of their lives - in fact, it may be fair to say that more modern-day movie-goers are seeing their screen stories than are reading their printed works. Bright Star c...

When a movie invites comparisons to the work of James Cameron and Christopher Nolan, it’s apparent that the director (in this case, Gareth Edwards) has done something very right. The Creator may rely on numerous common science fiction concepts b...

Romantic comedies are a dime-a-dozen, and most of them fail because they pursue slapstick while losing sight of the characters. Because The Cutting Edge doesn't fall into that trap, it results in an enjoyable lark. Despite a recycled plot, this a...

There’s a lot to like about this new version of Dune: the screenplay’s ability to pare down Frank Herbert’s complex, weighty novel without emasculating it, the epic scope, and the spectacle of the experience. Director Denis Villeneuve’...