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With a mostly female cast and a poetic title, it might be easy to assume that Paradise Road is a 1997 version of Mike Newell's effervescent Enchanted April. However, apart from those stated similarities, there's little to connect the two films. ...

The Piano is about passion, the most basic and primal element of human nature. No matter how thick the veneer of civilization is, or how deeply-buried beneath layers of social repression those latent emotions are, passion ultimately cannot be deni...

Predestination is what is commonly referred to as a "mind-fuck" movie. A low-budget science fiction feature, Predestination has expectations of its audience related to attention span and concentration level. Whether or not the plot remains on solid...

Proof, the debut feature that earned Australian director Jocelyn Moorhouse a chance to make studio films in America (How to Make an American Quilt, A Thousand Acres), was one of 1991's best-kept secrets. Although the movie received a small U.S. ...

It is said that revenge is a dish best served cold. The Proposition illustrates that, extending the metaphor, revenge is more often bitter than sweet. Gritty to the point of being disturbing, The Proposition examines the revenge thriller not as t...

At one point in history, indigenous populations around the globe were evolving slowly and happily, whether in North America, South America, Africa, or Australia. Then, spearheaded by a wave of intrepid explorers, came the Europeans, spreading out ...

Distilled to its essence, Romulus, My Father is a standard-order coming-of-age movie. Like most movies of this sort, it's based on someone's memoirs (in this case, those of Raimond Gaita) and includes moment of tragedy, sentimentality, and serenit...

The Ruins does what a good psychological horror movie should do: rely on tension rather than gore to achieve its aims. This bleak, edgy motion picture isn't concerned with appealing to the masses that flock to multiplexes to enjoy the spatterings ...

There's something about an effective "man versus nature" film that gets the blood pumping. Maybe it's because the situation is often more dire than in a traditional thriller, or perhaps it’s the sheer implacability of the adversary, but the diffi...

Schlock Holmes is too brutal. Call it instead The Adventure of the Da Vinci Code Knock-off or The Adventure of the Missing Ending. Either would be equally appropriate. This original story, which borrows heavily from Sir Arthur Conan Doyle's "can...