Search for Ball

Allegiant exemplifies what happens when a book or movie exists solely for the purposes of placating fans and maintaining a revenue stream. Craft and originality are swapped out for familiarity and sameness. Plot turns into a regurgitation of not only...

Over the years, many films have taken a dark look at the supposedly perfect ideal of a white picket fence, a little house, and a nuclear family. For many, the suburban life is the American dream. For others, however, it can turn into a twisted ni...

Those wacky Coens are at it again. And those serious Coens. And those loquacious Coens. The Ballad of Buster Scruggs, a paean to pre-revisionist Westerns, allows the Oscar-winning brothers to try out nearly every weapon in their considerable ...

The Ballad of Jack and Rose is a low-key character study about a father and daughter whose idyllic lifestyle is interrupted by the arrival of three newcomers. Not much happens in this film beyond the evolution of the characters and their relationshi...

The Ballad of Narayama, a 1958 Japanese film from director Keisuke Kinoshita, is revered in some critical circles because of its extreme stylization – using the art of kabuki theater to form a template for the exploration of Shichiro Fukazaw...

Apparently, Shay Hattan’s original screenplay for Ballerina was considerably different from the final version – a stand-alone action/revenge film with no John Wick connections. One could argue that the movie might have been better that way...

Be Cool, the belated sequel to 1995's Get Shorty, has moments when we think it's going to work. It occasionally tantalizes with witty dialogue and sharp supporting performances. Alas, those are only teases - the film is priming us for something t...

I don't know whether Markus Zusak's young adult bestelling novel The Book Thief should be considered "unfilmable" but the adaptation, written by Michael Petroni and directed by Brian Percival, makes a compelling case that it shouldn't have been fil...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...

It has been called brave, rousing, and shocking. At the 1996 Cannes Film Festival, where it received its world premiere, it was both hailed and booed, and received a special jury prize for "originality, daring, and audacity." Ted Turner, who ...