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360 arrives with a pedigree that will have movie die-hards salivating. Blessed with an acclaimed director (Fernando Meirelles, City of God & The Constant Gardener), a respected screenwriter (Peter Morgan, Frost/Nixon), and a high profile internatio...

The autumn movie season has a history of hosting impressive, thought-based science fiction movies. To a list that includes Gravity, Interstellar, Arrival, and The Martian, add Ad Astra, a film that uses space exploration as a means to look inw...

It has been said that one of the greatest fears expressed by human beings is to be suddenly struck blind - plunged into a blankness into which sound but no light can penetrate. Imagine this happening not to one person but to an entire population. ...

Terry Gilliam's Brazil is one of those films whose enduring reputation is based at least in part on events surrounding its stormy distribution history. Taken at face value, Brazil is a stinging, Strangelovian satire of the power of the bureaucracy...

Call Me by Your Name, the latest film from Italian director Luca Guadagnino, is a study in mood and emotion. It’s about living in the moment and capturing that moment. It’s about using the canvas of film to convey to the audience the inner...

The irony of calling this movie City of God will not be lost on the viewer, since the location in question – the slums (or favelas) of Rio de Janeiro – is, at the best of times, purgatory, and, at the worst of times, hell. God is nowhere to be...

Kiss of the Spider Woman is a fascinating character study - an exploration into how a bond of kinship can develop between two very different men, each of whose present circumstances is erected on a foundation of secrets. The film, based on the nov...

The Lighthouse starts out as a moody, introspective exploration of loneliness and interpersonal communication and develops into an existential horror movie. Although I don’t think the ending quite works, the film grows more unsettling as it ...