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William Shakespeare. Charles Dickens. Jane Austen. Those three authors are perhaps the most frequently adapted writers of classic novels in the relatively short history of cinema. There’s a reason for that. The timeless nature of their outpu...

It's ironic that a motion picture designed as mainstream, commercial entertainment in France will be viewed as an art house film during its American run. The movie in question is Patrice Leconte's The Girl On the Bridge, which made more than $20 m...

I approached Love Hurts with modest expectations. The well-worn concept – that of a retired assassin forced back into action to save the woman he loves – feels like a high-floor/low-ceiling concept: the kind of thing that’s never going t...