Search for Brother

Probably every review written of Observe and Report will mention, in one context or another, Paul Blart: Mall Cop. The connection is understandable: both are satirical looks at the trials and tribulations of life as a private security guard (a.k.a...

There are three rules for any self-respecting heist movie: (1) the caper should be interesting, convoluted, but easily explained/decoded at the end; (2) although no heist is airtight, the holes shouldn’t be apparent to the audience in real t...

The good news is that the 2001 version of Ocean's Eleven represents one of the rarest of Hollywood rarities: a re-make that is actually better than the original. That's not to say that this motion picture is an unqualified success - one tends to e...

I may be in the minority, but I don't consider Ocean's Twelve to be the dog that some critics have labeled it. Sure, it's a little self-indulgent, but it's a genial caper drama that allows us to spend some time in the company of the survivors of t...

Pleasantness and affability reign supreme in Steven Soderbergh's sequel to the remake of Ocean's Eleven. This time around, even the bad guys don't seem so bad. Rumor has it that the atmosphere on the set of Ocean's Twelve was so easy-going that i...

For a horror movie, Oculus is surprisingly lean on the scares. It's more interested in playing tricks with perception and bending reality. Ambitious material for director/editor Mike Flanagan (expanding from his award-winning short) and, if he does...

There’s something eerie about the way The Omega Man opens: Charlton Heston driving around a seemingly deserted Los Angeles (the empty streets are shown via helicopter shots as well as on the ground) while the theme from A Summer Place plays ...

For his tenth feature film, writer-director Paul Thomas Anderson once again reinvents himself. A filmmaker who has consistently resisted pigeonholing with projects as diverse in tone and content as Boogie Nights, Magnolia, and Phantom Thread, Ander...

One Missed Call is yet another PG-13 horror movie adapted from a Japanese source. Taken in concert with The Ring, one has to wonder if these productions illustrate some subconscious fear of technology felt by the Japanese. First, they're being me...

The Order, from director Justin Kurzel, turns back the clock to 1983 to explore a movement whose ideals and methods have striking relevance in today’s fraught political climate. The Order was a Neo-Nazi terrorist organization that splintered awa...