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WARNING! Heavy spoilers ahead! Beginning with the fifth paragraph, this review reveals details about key plot points and the endings of both Jean de Florette and Manon des Sources. Proceed at your own risk. Although released with a three mon...

WARNING! Heavy spoilers ahead! Beginning with the fifth paragraph, this review reveals details about key plot points and the endings of both Jean de Florette and Manon des Sources. Proceed at your own risk. Although released with a three mon...

Miss Peregrine’s Home for Peculiar Children, adapted from Ransom Riggs’ popular YA novel, offers a different flavor of teen-oriented fantasy. A mash-up of X-Men-influenced superhero material and more traditional fantasy elements (with tim...

The older he has gotten, the more offbeat his films have become. Now, to be clear, Wes Anderson has never been a conventional filmmaker. His movies have always appealed more to niche audiences than mainstream ones. (My favorite of his oeuvre, ...

All animated films are not created equal. Some aspire for greatness, seeking to bring wonders to the screen that live-action can’t fully capture. Others exist for purely commercial means – cynical brand-management put together not to touch...

A wonderful thing about Shakespeare’s canon is that those plays can form the vehicles by which any director’s unique vision can emerge. Laurence Olivier, Orson Welles, and Kenneth Branagh all recognized this. With The Tragedy of Macbeth, Joel ...

A Very Long Engagment is Jean-Pierre Jeunet's follow-up to his international success, Amelie. However, despite the return of elfin star Audrey Tautou, this is nothing like a sequel. Based on the novel by Sébastien Japrisot, A Very Long Engagment...

For roughly its first third, Joe Wright’s The Woman in the Window, based on the best-selling novel by A.J. Finn, feels like a quasi-remake of Alfred Hitchcock’s Rear Window. It then shifts gears and enters Gaslight/Witness to Murder territ...