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In recent years, few things have been more certain than the guarantee of something delicious from director Pedro Almodóvar. Almodóvar has become like a trusted brand name - reliable and consistent. Unfortunately, with his new effort, called Bad E...

"Belle Epoque is the story of Paradise: too good to last. It's about the discovery of life, but the real one, I mean: freedom, art, love, sex, friendship...all the things that make life interesting. It's an oasis... Maybe it's too idealistic, b...

In the autumn of 1998, New Line Cinema opened Pleasantville, a thoroughly delightful fantasy about a couple of modern-day kids thrown back in time to a world of wholesome family values where everything is (literally) black and white. Now, less tha...

The “so bad it’s good” tag often applied to co-called “cult classics” is as elusive a categorization as there is in cinema. Most of the time, it evolves organically from the failure of a movie. Planning campiness is more apt to result in...

For his follow-up to City of God, Brazilian director Fernando Meirelles has elected to adapt John Le Carré's The Constant Gardener into movie form. A slow-burn thriller simmering with international intrigue, the book would at first seem too long ...

At one time, a new Brian De Palma film was something to be greeted with enthusiasm. The filmmaker, with his affinity for borrowing from the greats (Hitchcock in particular), understood how to put his own, modern spin on classic tropes. His rep...

As long ago as the early 1980s, before the Dungeons & Dragons role-playing game entered the mainstream, there was talk of a D&D movie. I can recall being at a gaming convention and listening to E. Gary Gygax, the creator of Dungeons & Dragons, dis...

Exodus represents Ridley Scott's attempt to emulate Cecil B. DeMille. Comparisons with The Ten Commandments are both unavoidable and appropriate. Considering the mixed critical reaction to the 1956 spectacle, it is perhaps surprising that Exodus co...

Getaway is pretty much a 90-minute car chase. That's it. It may rival The Blues Brothers for the most vehicular wreckage in a motion picture. (Is that still the gold standard or has it been surpassed?) That said, however, consider how easy it is fo...

Like everything else, James Bond (Pierce Brosnan) has had to change for the nineties. The venerable 007, coming off a long hiatus, has taken on his sixth face (the other five being Sean Connery, David Niven, George Lazenby, Roger Moore, and T...