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When it comes to the world of fashion, I don’t know the difference between Armani, Versace, and Gucci. To me, Tom Ford is better-known as a director. Perhaps if I had come to Ridley Scott’s House of Gucci with a stronger background in the fiel...

Ironically, I’m sure, the title of this movie identifies the single most obvious problem. Certainly, there’s nothing wrong with how it begins. In fact, the first 20 minutes or so of How It Ends are solid, filled as they are with mystery and...

Somewhere, buried within the innards of writer/director Kim Nguyen’s The Hummingbird Project, is the skeleton of a compelling techno-thriller. Unfortunately, Nguyen overreaches in attempting to add an element of meaning to what works best a...

If I was a teacher and The Imaginarium of Doctor Parnassus was a student's paper, I would give it an "incomplete." After all, how can one assess a project whose nature was irrevocably altered when the lead actor died? Whatever vision director Ter...

In the Company of Men is one of those rarest of rare breeds -- a movie that doesn't just ignore Hollywood conventions, but openly flouts them. The film, which premiered to great critical acclaim at 1997's Sundance Film Festival, initially had trou...

A glance at Paul W.S. Anderson’s filmography does not inspire confidence, and that concern is proven valid for In the Lost Lands. Watching this production is a strange, almost surreal, experience because at no point does it seem like a movie eve...

In the Name of the King is a second-rate regurgitation of The Lord of the Rings. Everything about it, down to the set and costume design, apes Peter Jackson's epic trilogy. However, while The Lord of the Rings was a grand story of scope and power,...

It’s apparent that writer/director Brandon Cronenberg has a fascination with what constitutes identity. That question, posed existentially without the involvement of religion or spirituality, lies at the core of both Cronenberg’s dark, trippy ...

Watching Into the Abyss, I had the overwhelming sense that, somewhere along the way, Werner Herzog lost his way. It happens to the best filmmakers, and that's one of the perils of making a documentary - events don't always go where the man behind t...

It is sometimes said that there’s no such thing as “too much of a good thing.” In the case of Stephen King’s It, that may not be true. Clocking in at a bloated 170 minutes, It Chapter Two is a full 35 minutes longer than Chapter One an...