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After watching the Coen Brothers spend years mowing their way through genres and upending conventions, one question comes to mind: Is there anything these guys can't do. Common wisdom suggests "no" and, after winning Oscars early this year for No...

Carol is a haunting motion picture - the kind of film that stays with the viewer long after the multiplex’s neon signage has disappeared from the rear-view mirror. Despite having a deceptively simple storyline, the film is entirely unlike any o...

With Carter & June, director/co-writer Nicholas Kalikow is aiming for a post-Tarantino thriller that incorporates violence and humor into a story about lowlifes, gangsters, and other assorted bottom-feeders, some of whom wear badges and c...

The main problem with Coach Carter can be summed up simply: too much sermonizing. In a way, it's hard to fault the film, because its heart is in the right place. The movie wants to impress upon teenagers that education is the first step on the pa...

When the Coen Brothers announced their (amicable) breakup following the release of The Ballad of Buster Scruggs, a great lamentation was heard throughout the population of cineastes. Of course, that wasn’t the end of the line for Joel and Ethan ...

Fargo takes the usual "caper gone wrong" storyline and applies a new twist. Based on a supposed series of "true events" from 1987 (a tongue-in-cheek claim made by a screen caption), the film examines what can happen when the police and criminals a...

Perhaps the most curious and counterproductive aspect of The Fifth Estate, the so-called "Wikileaks movie," is the decision by director Bill Condon and screenwriter Josh Singer to establish the film as a thriller. The material covered in the produc...