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Another Netflix would-be blockbuster, another disappointment. According to reports, The Gray Man cost the streaming company close to $200M, which puts it alongside Red Notice as having an MCU-sized budget. Unlike most MCU films, however, The Gray ...

What a waste of a talented cast! There are times when it can be depressing to see so much acting potential wasted on a script unable to elicit the best from its stars, and this is one such occasion. Although The Greatest can boast a few excellent ...

As counter-intuitive as it might sound, chaos only works in a movie when it is carefully controlled and focused. Tarantino is one of several masters of this technique and there’s a sense during the course of Gringo that director Nash Edgerton...

Anne Fletcher's Guilt Trip is essentially a mismatched buddy road comedy. That's a genre as old as the cinema and it can't be said that Guilt Trip does anything sufficiently interesting to warrant notice (unless you count Barbra Streisand dropping ...

The Covenant offers Guy Ritchie an opportunity to step out of his comfort zone and try something with more substance than is usual for him. Gone are the snarky one-liners and zingers that have become his trademarks. And, although there’s certain...

When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phi...

The Hangover Part III is an obvious example of how wrong things can go when the almighty dollar is allowed to rule what comes out of Hollywood. When the first Hangover stunned analysts by becoming not just successful but a massive hit, director Tod...

The Hangover begins and ends conventionally but, in between, it's not afraid to go off the rails. Unlike most so-called "comedies," this one can claim the virtue of being reasonably funny. It never tries too hard, the actors have a good sense of ...

Applying the Groundhog Day premise to a horror movie is so obvious a conceit that I’m surprised it hasn’t been previously attempted. It’s a no-brainer. Unfortunately, director Christopher Landon and screenwriter Scott Lobdell have taken t...