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It takes about ten seconds to identify Asteroid City as a “Wes Anderson movie” and that’s arguably the movie’s Achilles Heel. Anderson’s style and approach have become so baked-into his projects that they threaten to overwhelm the materi...

Atomic Blonde combines the storytelling intrigue of a LeCarre/Deighton Cold War spy novel with the in-your-face kinetic style of John Wick. The result, while at times a little too visually chaotic, is bracing. Headlined by a committed Charliz...

The 1995 release, Babe, scored big with audiences and critics alike, proving that a movie doesn't have to be marked with Disney's imprimatur to succeed with families. During its theatrical run, the film made almost $70 million domestically, and we...

Broken City? More appropriately, Broken Movie. There's an old multiplex proverb that goes something like this: "Beware ye movies opening in January that star A-list actors." Broken City illustrates the wisdom of those words. This mess of a moti...

There is something a little retro about the relaxing blend of screwball comedy and low-key drama that represents Raymond De Felitta's City Island. An indie of the sort that achieved popularity during the 1990s but which has since fallen out of fav...

In 1927, with much fanfare, The Jazz Singer was released. As every movie-lover knows, this otherwise unremarkable motion picture possessed one crucial asset: it was the first film to use recorded sound, and ushered in the "talkie" era. The trans...

As the world hurtles towards the end of the second millennium, there seems to be an increased awareness of mysticism and things spiritual. Suddenly, it's hip to believe in God (not necessarily a specific god -- an amorphous, non-denominational dei...

City of Ember has almost anything one could want from a science fiction-based family adventure film: likeable characters, an imaginative setting, and a fast pace. The third item on that list is notable. Recognizing that children often have limite...

The irony of calling this movie City of God will not be lost on the viewer, since the location in question – the slums (or favelas) of Rio de Janeiro – is, at the best of times, purgatory, and, at the worst of times, hell. God is nowhere to be...

In 1991, the creative team of Jean-Pierre Jeunet and Marc Caro introduced movie-goers to their nightmarish view of a post-apocalyptic world where troglodytes inhabited the underground and a butcher relied on apartment tenants to keep his meat cabin...