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As appealing as Alicia Silverstone is (and she possesses that ethereal "star quality" which is sadly lacking in many of today's up-and-coming performers), her presence can't quite elevate this breezy comedy to the level of a modern classic. A cont...

The “so bad it’s good” tag often applied to co-called “cult classics” is as elusive a categorization as there is in cinema. Most of the time, it evolves organically from the failure of a movie. Planning campiness is more apt to result in...

It is accepted practice that a comedy, even the most outrageous one, must have some sort of skeletal plot structure. Most of these are nonsense and sometimes impede the viewer's ability to enjoy the film's humorous antics. Such is the case with C...

Those going to Cold Pursuit expecting a typical early-year Liam Neeson action thriller may be disconcerted by what Norwegian director Hans Petter Moland delivers. On the surface, this is a standard-order revenge movie: a snow-plow driver, Nels...

The chief pleasure to be derived from watching Cold Souls is that it's a journey into the unexpected. To one degree or another, even the best screenplays tend to follow projectable trajectories, even when the specifics are obfuscated. Cold Souls ...

Sometimes, the lure of generic horror tropes can be too strong for even the most high-minded films to avoid. Come Play is an example. The premise intrigues with its potential – the idea that just because something looks like a traditional �...

The fairest way I can describe Coming 2 America is to say that it’s not as bad as I feared it might be. Damning with faint praise, indeed. My expectations were based on two factors: (1) the original movie, Coming to America, was an amusing-b...

It has been a long time since I came as close to walking out of a movie as I did with Confessions of a Shopaholic. Not only did I find this production to be irritating, unfunny, and lacking in entertainment value, but I found its underlying slavis...

Confetti is an excellent study of what happens when someone botches Christopher Guest's mockumentary format. A supposed satire of extravagant weddings and reality shows, Debbie Isitt's feature displays little in the way of wit or insight. It's lo...

Cookie's Fortune deserves to be appreciated on its own terms. A less-ambitious outing from veteran director Robert Altman (at least when compared to movies like Nashville, The Player, and Short Cuts), this movie delivers agreeable performances and...