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Despite the allusion in the title, Guess Who is not a remake of the classic Guess Who's Coming to Dinner. In fact, other than borrowing the underlying premise (girl brings home boyfriend of a different race to meet her family), there are few simil...

Anne Fletcher's Guilt Trip is essentially a mismatched buddy road comedy. That's a genre as old as the cinema and it can't be said that Guilt Trip does anything sufficiently interesting to warrant notice (unless you count Barbra Streisand dropping ...

Hail, Caesar! won’t be remembered as one of the Coen Brothers’ masterpieces. An homage to Hollywood of the 1950s, this is more of a niche film than a mainstream offering. It’s an opportunity for Joel & Ethan Coen to use the era as a cinematic p...

In 1998, Bobby and Peter Farrelly pushed the raunchy comedy envelope with their breakout hit, There's Something about Mary. Since then, two things have changed: the Farrelly Brothers have become softer (Exhibit A: their PG-13 2005 romantic comedy, ...

Hamlet 2 (a great title) does not represent the first time in recent years that something unconventional has been done to one of the Bard's classics. (Although, to be sure, no one has been as audacious as to develop a musical sequel to a play.) S...

Hancock is a hodgepodge of intriguing ideas that, if developed further or presented as more than throw-ins to a confused production, might have made for a unique superhero film. The resulting movie, however, shows all the signs of studio interfere...

When Yogi Berra said "It's déjà vu all over again," maybe he said it best. Then again, perhaps it was John McClane: "How can the same shit happen to the same guy twice?" While neither was specifically referring to The Hangover Part II, Todd Phi...

The Hangover Part III is an obvious example of how wrong things can go when the almighty dollar is allowed to rule what comes out of Hollywood. When the first Hangover stunned analysts by becoming not just successful but a massive hit, director Tod...

The Hangover begins and ends conventionally but, in between, it's not afraid to go off the rails. Unlike most so-called "comedies," this one can claim the virtue of being reasonably funny. It never tries too hard, the actors have a good sense of ...

An interesting question occasioned by the release of Hannah Montana: The Movie is whether the motion picture incarnation of the popular TV show is catching the backend of the pop phenomenon wave. Certainly, when the 3D Miley Cyrus concert movie wa...