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Universal Pictures is touting In Good Company as being "from the producers of About a Boy." While that's a true enough statement, let's not forget that the team of Chris and Paul Weitz were also responsible for the popular American Pie series. Th...

Dancing along a line just shy of the edge of brilliance, In the Loop possesses an incisive, take-no-prisoners comedic style that offers plenty of solid laughs while making a point about the stupidity, selfishness, and lack of awareness that exists ...

When I watch a comedy like The Incredible Burt Wonderstone, I find myself wondering whether plot and character development should be considered in an evaluation of the production. After all, the movie has been made with the intention of making peop...

Under the control of a different director, The Informant! might have been a reasonably straightforward thriller. With Steven Soderbergh at the helm, however, this has become a whimsical, semi-comedic romp, complete with a score by Marvin Hamlisch ...

When it became mainstream in the late 1990s, the Internet fundamentally changed the way human beings communicated. E-mail replaced phone calls and letters as the primary means of long-distance communication. The social media revolution, which ...

At first glance, Inherent Vice might seem to be a detective story. Look a little closer, however, and it becomes clear that this is Paul Thomas Anderson's idea of a comedy. There's slapstick, lowbrow material, and enough strange characters an...

If The Intern had confined itself to the unlikely relationship that develops between thirtysomething entrepreneur Jules Ostin (Anne Hathaway) and seventy-year old retiree Ben Whittaker (Robert DeNiro), it might have worked. Unfortunately, writer/dire...

Perhaps The Internship might have worked eight years ago, had it been released in the wake of the unexpected success of Vince Vaughn and Owen Wilson's Wedding Crashers. (Emphasis on the word perhaps - this movie wouldn't have been any better in 200...

For whatever reason, the Coen Brothers' comedies (such as Raising Arizona, The Hudsucker Proxy, and The Big Lebowski) have always garnered less critical attention than the filmmakers' more serious fare (such as Blood Simple, Barton Fink, and Fargo)...

Introducing the Dwights is a coming of age story that (thankfully) doesn't play coy with issues of sexuality. The film, from Australian director Cherie Nowlan, doesn't always move smoothly (it has a tendency to jump around a little, especially in ...