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Will Ferrell can be the most maddening of comedians. There are times when he's so funny it hurts to watch him. Then there are times when he's so unfunny it's painful in a different way. Consistency, thy name isn't Ferrell. Blades of Glory is pre...

At first, the marriage between classical British literature and Bollywood musical would seem doomed to failure. But this particular match, arranged by Gurinder Chadha, finds a surprisingly rich field of common ground. Bride and Prejudice is bright, ...

It would be fair to characterize Bridget Jones’s Baby as a huge step up from the previous Bridget Jones outing, 2004’s The Edge of Reason, although it’s not quite in the same league as 2001’s Bridget Jones’s Diary. Why w...

If I was to review Giuseppe Capotondi’s The Burnt Orange Heresy based exclusively on the film’s first half, I would have nothing to offer but raves. Unfortunately, the film’s final 30 minutes prove unable to deliver on the promise of the...

I'm not a Zac Efron hater; I thought he did a solid job in Me and Orson Welles, a film that showcased his ability to act when given the opportunity. However, in Charlie St. Cloud (as in his previous outing for director Burr Steers, 17 Again), Zefr...

The fairest way I can describe Coming 2 America is to say that it’s not as bad as I feared it might be. Damning with faint praise, indeed. My expectations were based on two factors: (1) the original movie, Coming to America, was an amusing-b...

Most of the time, I am irritated when a movie proclaims to be "based on a true story." In many cases, it's a gratuitous marketing ploy. For Compliance, however, it's useful information. Unlike many "based on true stories," this one closely follows ...