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21 is a perfect example of how something that's "based" on a true story can nevertheless exist mainly in the realm of fiction. While it's true that the source material for the movie, Ben Mezrich's Bringing Down the House relates events that actuall...

With Apocalypto, Mel Gibson has proven it's possible to create a compelling action/adventure film in almost any setting. Gibson's theme (which is only partially developed), as revealed in an opening caption, is that all great civilizations fail wh...

Spoilers: This review contains “non-specific” spoilers. Some readers may feel this reveals too much about the ending.For roughly two-thirds of its running length, Bad Samaritan shows potential as a nicely twisty thriller replete with Hitch...

Bad Santa's Willie (Billy Bob Thornton) is the kind of guy who makes Scrooge look like a generous, mild mannered eccentric. With a character as thoroughly unlikable as this, you know immediately that Bad Santa is not going to be just another moder...

2003’s Bad Santa was a milestone in feel-bad black comedy. Directed by Terry Zwigoff, written by Glenn Ficarra & John Requa, and co-executive produced by the Coen Brothers, it was a holiday movie unlike any previous holiday movie. Although ...

When I think of a “Jason Statham movie,” I think of The Transporter. Or Crank. Or The Mechanic – all relatively mindless (but enjoyable) thrillers that understood the appeal of their deadpan leading man: his ability to give and take physical ...

It seems that an inordinate number of movies produced by BBC Films take us back in time to an England That Was, where class structures were as rigid as women's corsets and royalty meant more than a ceremonial title. In many cases, there's a samene...

The problem with End of Watch, a gripping police drama, is director David Ayer's stylistic decision to shoot nearly the entire movie tripod-less. Or, to put it another way, there's a whole lotta shakin' going on. Much of End of Watch could almost f...