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Ghost World could easily be considered an "anti-Hollywood coming of age story". Although it follows the contours of the genre, the path is different enough to make the movie seem fresh, non-formulaic, and occasionally surprising. Of course, for s...

The Girl Who Kicked the Hornet's Nest, the third and final piece of the cinematic adaptation of Stieg Larsson's The Millennium Trilogy, is an entertaining thriller. That said, it's the weakest of the films, falling a length or two behind The Girl ...

The Girl Who Played with Fire, the second part of Stieg Larsson's enormously popular The Millennium Trilogy, follows The Girl with the Dragon Tattoo and precedes The Girl Who Kicked the Hornet's Nest. Filmed back-to-back-to-back, the three movies ...

The Glass Castle, based on the memoir of the same name by Jeannette Walls, comes across as an offbeat coming-of-age story whose integrity is impeded by the need for closure. Real life doesn’t work that way but movie-goers don’t like loose ...

Rags to riches stories are a Hollywood staple. They’ve been around for as long as movies have been around because viewers love a yarn about how a ne’er-do-well, propelled by a combination of luck and hard work, makes good. It’s a dr...

When considering the meaning of the title Good Time, I was reminded of Dickens: “It was the best of times, it was the worst of times…” In the case of these characters, the former doesn’t apply. Good Time is an atmosphere-driven thrille...

Grand Hotel, which captured the Best Picture Oscar in 1932 (the third of three years when the Academy Awards were held at the end of the year - they reverted to the first quarter in 1934, where they have remained), became a template of sorts for ma...

It's probably a safe assumption that everyone reading this review is aware of the incestuous relationship that exists between advertising and movies. It's more than a company paying a fee to have a product appear on-screen; there's cross-marketing,...

If one was to skim through the vast trove of movies set in and around the mythical reign of King Arthur, it would be difficult to find one like The Green Knight. Based on the anonymous 14th century chivalric romance, David Lowrey’s interpret...

This is the sequel Halloween fans have been awaiting for four decades. With John Carpenter whispering in his ear (the original director returned in an “advisory” capacity and as co-composer), David Gordon Green has taken the series back to...