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The most important name associated with this new telling of the tale of King Arthur is “Guy Ritchie.” More than most working directors, Ritchie comes to projects with his own specific take on them – one that inevitably rubs some viewers ...

17 years ago, the film industry dusted off a popular 1960s spy show, created a bloated, big-screen iteration with stars like Ralph Fiennes, Sean Connery, and Uma Thurman, and watched it implode at the box office. Terrible reviews and public indiffere...

For more than 30 years, one of the great mysteries of journalism and politics was the identity of Woodward & Bernstein’s key Watergate source, “Deep Throat.” Between Deep Throat’s period of contribution (1972-73) and his voluntary unma...

I think that if I had a deeper connection to the He-Man universe, I might have reacted more positively to the 2026 Masters of the Universe. It's apparent to me, even as an outsider, that there's a whole lotta fan service going on. Too much, in fac...

Materialists, Celine Song’s follow-up to the sublime Past Lives, is a rom-com on Prozac. Weighed down by a flat performance from Dakota Johnson, the movie shifts into low-gear after an upbeat, promising first act. Johnson’s lack of chemistr...

When it comes to using dialogue as a mechanism to drive a movie, few (not named David Mamet) are better than Aaron Sorkin with his rat-a-tat-tat approach and ability to craft monologues as living things. After having had a hand in writing some...

There are three rules for any self-respecting heist movie: (1) the caper should be interesting, convoluted, but easily explained/decoded at the end; (2) although no heist is airtight, the holes shouldn’t be apparent to the audience in real t...

While watching Tom George’s See How They Run, two references came to mind (in addition to the obvious Agatha Christie ones): the oeuvre of Wes Anderson and Rian Johnson’s Knives Out. Although See How They Run isn’t as head-scratchingly quirk...

Across the Spider-Verse, the middle installment of the “Spider-Verse” trilogy (following 2018’s Into the Spider-Verse and ahead of 2024’s Beyond the Spider-Verse), is just as rambunctious, psychedelic, and occasionally spastic as its precu...

If you want something shaken up, who better to turn to than (Phil) Lord & (Chris) Miller? Apparently, their brand of concussive trembling was a little too much for the Star Wars universe but not so for the “Spider-Verse,” a strange and won...