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Welcome to Massachusetts, 1666, where Puritans, Indians, and adultery come together in Roland Joffe's overlong, overwrought re-interpretation of Nathaniel Hawthorne's classic, The Scarlet Letter. Literary purists will be aghast at some of the libe...

Perhaps it takes a movie like The Sorcerer's Apprentice to make one appreciate the level of creativity evident in the Harry Potter series. Distilled to their bare essences, both stories are remarkably similar: a modern-day kid discovers he has mag...

Sorry to Bother You may be 2018’s answer to 2017’s Get Out – an entertaining film with a strong socio-political subtext. At times very funny and occasionally outrageous, Sorry to Bother You defies expectations with a fresh take on survi...

The trailer for Splice might lead a viewer to expect a low-budget retread of Species crossed with Aliens. However, although the film does indeed pilfer a scene directly from the latter movie, the trailer misrepresents its source. Splice is as muc...

Note: This review contains minor spoilers, although nothing that can’t be gleaned from watching the trailers. Star Trek Beyond is a Star Trek movie, although not an especially good one. Although that description might sound self-evident, the...

At the end of Superman II, the producers promised "Coming Soon: Superman III." It has taken 26 years for that promise to be fulfilled. To be sure, there were movies in the 1980s called Superman III and Superman IV, but those were bad jokes masquera...

One of the reasons why The Naked Gun works as well as it does is that the series has been allowed a 32-year rest since the release of the wretched Naked Gun 33 1/3. That's a long enough pause for audiences to forget what went sour with the...

The To Do List grafts the raunchiness of today's R-rated comedic fare onto the structure of an '80s sex romp. The film feels a little like what might happen if the producers of films like Bridesmaids found a lost John Hughes script and adapted it f...

Four years ago, the release of Toy Story forever changed the face of animated motion pictures. The astonishing, three-dimensional quality of John Lasseter's work amazed both average movie-goers and hard-to-impress critics. Now, in 1999, the toys a...