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Spoiler Alert: When it comes to a movie like “Fresh,” there’s a legitimate question of what constitutes a spoiler. A lot of it depends on how much a reader knows about the film prior to reading the review. Anyone who has been paying atte...

To the extent that slow-burn horror movies are about atmosphere, Hereditary has many of them beaten. Using the camerawork of Pawel Pogorzelski and the music of Colin Stetson to fashion the skeleton of a superbly moody background, first-time d...

It's a challenge faced by every workaholic parent: balancing the time-sucking pressure of a high-profile job with the needs of a family. Because of societal expectations and traditional norms, women typically face more scrutiny and criticism than m...

Another year, another movie about Truman Capote. However, despite covering much the same ground as last year's Capote, Douglas McGrath's Infamous doesn't feel like a remake. The events are the same, but the tone and perspective are different. Ca...

Although this may amount to oversimplification, Alejandro Agresti's The Lake House is essentially a romance between two people connected by a time-traveling mailbox. As premises go, this has the virtue of uniqueness - Hollywood doesn't churn out t...

As remakes go, The Manchurian Candidate is better than most. It remains faithful to the premise and themes of the original, but, by avoiding a slavish re-interpretation, it offers some surprises to those who are familiar with the 1962 version. Ye...

Ari Aster, the director of Hereditary and Midsommar, has described his brand of filmmaking as “existential horror.” To be sure, it’s a much different breed of the genre than one typically finds in multiplexes, trading in jump scares for ...

It is an accepted truth that adapting a sublime novel does not always result in a sublime movie. To an extent, this is the problem with Never Let Me Go, Alex Garland's adaptation of Kazuo Ishiguru's book. The film's tone, which attempts to captur...