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When it comes to historical epics from director Ridley Scott, you never quite know what you’re going to get. On the one hand, he has crafted such gripping, compelling films as the Oscar-winning Gladiator and the tragically overlooked Kingdom...

New Line honcho Bob Shaye has been in the news a lot recently, primarily because of an increasingly acrimonious feud with Peter Jackson over profits from The Lord of the Rings. With The Last Mimzy, Shaye steps back into the director's chair for th...

The entrenchment of a top-flight cast should not be considered an indication of cinematic quality. Although it's true that good actors can sometimes redeem a bad screenplay, more often than not, they end up becoming trapped by it. Such is the case ...

It would be easy to lump Lethal Weapon into the vast scrapyard of mismatched buddy cop movies, but such a facile classification would do Richard Donner's 1987 thriller a disservice. This is one of the best of the subgenre, an action-packed movie t...

Since 1992, when Lethal Weapon 3 became an undisputed box office hit, there has been talk about a follow-up. With the possible exception of the still-unconfirmed Die Hard 4, Lethal Weapon 4 has been the subject of more (often inaccurate) rumors th...

Life Itself starts out with great promise – a dizzying first act that creates the tapestry of a character’s life by offering a kaleidoscope of moments from his past. It’s poignant, effective, and punctuated by actions that are breathtaki...

Fear of the dark - few phobias are more common across the spectrum of modern society. Horror, in all its shapes, sizes, and forms, often works by exploiting this. It’s an underpinning of vampire stories and almost all horror films save their go...

Lost in Paris is a flight of whimsical fancy; a comedy fueled by meticulously choreographed humor. If old-fashioned slapstick isn’t your thing, this may not be for you. Some of the jokes are brilliant, such as one in which lead actress Fiona...

Over the years, movies have given us countless meditations on death and mourning, many of them hopelessly artificial and cloying. When something like Love after Love comes along with its unsparing look at this process, the result can be uncomf...