Movies in the Drama genre

There are so many ancillary issues surrounding the release of Mel Gibson's The Passion of the Christ (née The Passion) that they threaten to dwarf the 127-minute movie that lies at the maelstrom's epicenter. (The controversy, whether real, concoc...

This review could be considered to contain spoilers.Past Lives is quietly powerful – an understated examination of longing, connection, and unconsummated love. In the way it plays with concepts like fate and soul mates, it’s sort-of an anti-Sle...

What is the difference between a bad melodrama and a good one? The key lies in the emotional response. If the viewer feels that he or she is being forced into reacting in a particular way because of "button pushing," the film makers have erred. ...

When discussing "giants" of the non-English-speaking, international film world, four names leap immediately to mind: Ingmar Bergman, Federico Fellini, Akira Kurosawa, and Satyajit Ray. Of these men, Ray has received the least North American e...

Since 1976, many rags-to-riches films have commonly been described as “Rocky with x”, where “x” represents the competition-related subject of the film (e.g., “baseball”, “karate”, “singing”). Few, however, have matched Rock...

"Through the travail of ages Midst the pomp and toils of war, Have I fought and strove and perished Countless times upon a star. As if through a glass, and darkly, The age-old strife I see, For I fought in many guises, many names, But a...

Pay It Forward couldn't have more obvious aspirations if the filmmakers announced them. Featuring a top-notch cast; an adept script that meshes tragedy, light comedy, romance, and melodrama; and the kind of overall optimism that is a perfect tonic...

To think of uber-producer Jerry Bruckheimer and action director Michael Bay is to be reminded of popcorn-and-eye candy trifles like The Rock and Armageddon - movies where flashy special effects and lobotomized scripts are arguably assets. The pair...

One could be forgiven for approaching Penelope with a certain amount of skepticism. It has two points against it - not only is it opening in the middle of one of the bleakest cinematic seasons but it has sat on the shelf for nearly two years since...

Larry Flynt, the self-proclaimed king of smut, as an American hero? Unlikely as it may seem, that's the scenario set up and successfully pursued by Milos Forman's (One Flew Over the Cuckoos Nest, Amadeus) latest venture, The People vs. Larry Flynt...