Movies in the Science Fiction genre

Deep Impact has been buried. Godzilla's size didn't matter as much as TriStar hoped it would. Six Days, Seven Nights took about that long to come and go. Now it's time for Bruce Willis to kick asteroid. Recalling the amazing box-office assa...

The scenario presented in Arrival isn’t new - motion pictures have been dramatizing an event of this sort almost since moving images first flickered on a big screen. We wonder about it, dream about it, imagine it, and write about it. Popular te...

The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast an...

Ash doesn’t claim to be a re-imagining of John Carpenter’s version of The Thing, but one would have at least expected some sort of credit to be given to the 1982 movie. The earlier film’s DNA is so deeply infused into this production that it...

The Astronaut's Wife is the latest demonstration of how a good "high concept" does not necessarily translate into a decent motion picture. With its Invasion of the Bodysnatchers-inspired storyline, this movie could have been an effectively creepy ...

Screened in standard (non-IMAX) digital 3D. Avatar has been described as a "game-changer," and perhaps it is. I'll leave that for future historians to determine. What I can say with some assuredness is this is the most technically amazing motio...

The build-up for Avatar: Fire and Ash wasn’t quite as intense as the one between the original Avatar and its first sequel, Avatar: The Way of Water, due in large part to the shorter span between releases (three years versus thirteen). As was true...

It’s finally here. After years of missed release dates related to postproduction issues, James Cameron’s oft-delayed sequel to 2009’s Avatar has finally arrived. Was it worth the 13-year wait? Unquestionably. It’s difficult to overstate ho...

Awake does too little with its Twilight Zone-inspired premise. After racing through the introductory segments, Mark Raso’s feature turns into a dystopian road movie (not unlike Greenland) with the characters traveling to reach a potential ha...

Babylon A.D. has the look and feel of a skeleton: an unfinished outline that whooshes by so fast that it becomes incomprehensible as its storyline and characters are lost in a flurry of fast cuts and poorly choreographed action sequences. The film...