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In terms of content, if not style, Coal Miner’s Daughter would fit with the spate of musician-related biopics that have dotted the recent landscape. And, although central figure Loretta Lynn (Sissy Specek) never had the same kind of Billboard To...

It is accepted practice that a comedy, even the most outrageous one, must have some sort of skeletal plot structure. Most of these are nonsense and sometimes impede the viewer's ability to enjoy the film's humorous antics. Such is the case with C...

Those going to Cold Pursuit expecting a typical early-year Liam Neeson action thriller may be disconcerted by what Norwegian director Hans Petter Moland delivers. On the surface, this is a standard-order revenge movie: a snow-plow driver, Nels...

The Crazies, which is based on the 1973 George A. Romero film of the same name (Romero gets an Executive Producer credit for this one), continues the trend of recent films to delve into apocalyptic scenarios. Granted, in this case, it's just a smal...

Dangerous Beauty is a lavish historical melodrama that has enough suds, sex, and flashes of flesh to appeal to soap opera-lovers and enough substance to attract those of a more intellectual bent. However, while the movie does more than pay lip...

As happens with surprising regularity in the movie industry, at the time when Dangerous Liaisons entered production, it was not the only adaptation of Choderlos de Laclos' 18th century French novel on the drawing board. The rival film, Valmont, wa...

It takes guts to remake a movie that is commonly considered a classic. Of course, that hasn't stopped filmmakers in the past - attempts have been made to modernize such "untouchables" as Casablanca and It's a Wonderful Life, with predictably unfor...

Perhaps the first thing to note about the third Deadpool movie, appropriately titled Deadpool & Wolverine, is that it’s not so much a film as it is a 2-hour sketch comedy, an overlong parody that uses the MCU as a playground in which Ryan Re...

Christmas movies like this are enough to turn one into a Grinch or at least make one wish that the filmmakers would get a visit from the Ghost of Christmas Future. Why it is so hard to make a decent Christmas comedy? Not every movie has to be on ...