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Every actor or actress has his or her pet project - something they put their whole heart and soul into getting on the screen. For some, especially those who flirt only briefly (or not at all) with the spotlight of public adulation, this can be...

The focal point of one of the 2000 Sundance Film Festival's more serious bidding wars was this year's co-winner of the Grand Jury Prize (Dramatic Competition) and sole winner of the Directing Award (Dramatic Competition), Girlfight. At one point, ...

Voyeurism is a favorite pursuit of Americans, and The Girlfriend Experience works in large part because it indulges that pastime. The fascination with the film is that it offers an arm's-length opportunity to peer through a peephole into a lifesty...

Girls Trip is the fusion of a raunchy vacation comedy and a female-bonding melodrama. Unfortunately, the jokes stop being funny about 30 minutes before the end credits roll and the character-based elements are never better than overly familia...

Early every autumn, there's one excellent studio movie released - a way to kick off the Oscar race and remind adult viewers that it's still possible to find intelligent, compelling movies in theaters. In 2014, that film is Gone Girl, Gillian Flynn...

For most people, there is great comfort in routine. We cling to it like an old friend, drifting through life with the certain knowledge that tomorrow will be much like today, which is much like yesterday and the day before that. There's a certain...

While watching Horse Girl, which is either a whacked-out science fiction film or an exploration of mental illness (my money is on the latter), two other titles came to mind: Kristin Wiig’s Welcome to Me and Darren Aaronofsky’s mindfuck, mo...

Every time audiences are presented with a reasonably well-made serial killer movie, they line up for it. Why? Human beings are irresistibly fascinated by the lurid, the horrifying, and the depraved, and what could be more attention-grabbing than ...

Lars and the Real Girl is an example of how even the most ridiculous premise can be used to construct a smart, touching motion picture. The film sounds like it was developed with Adam Sandler or Will Ferrell in mind, but the key here is that, while...

Watching The Last Showgirl, I couldn’t help but be reminded of the lyrics of the 1978 Barry Manilow song, “Copacabana”:Her name is Lola, she was a showgirl But that was thirty years ago, when they used to have a show Now it’s a disco, but ...