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After viewing Casino, you may never look at Las Vegas in quite the same way. While this film, adapted from Nicholas Pileggi's nonfiction book, Casino: Love and Honor in Las Vegas, doesn't offer much in the way of startling revelations, it presents...

Chaplin is Sir Richard Attenborough's account of the life and times of film great Charlie Chaplin. The story picks up in 1894, when Charlie is five, and lasts until 1972, five years before his death in 1977. Along the way, Attenborough gives us g...

It’s refreshing to find a teen romance that doesn’t feel obligated to end with a confession of undying affection. In real life, which Chemical Hearts seeks to emulate, high school love affairs may result in fumbling in the dark, loss of vi...

There's a skill to adapting a novel that not all filmmakers have. This is especially evident if a book is not inherently cinematic and requires more "massaging" to shape it into a form capable of fitting comfortably into a two-hour time...

Many of Orson Welles’ films have brilliantly stood the test of time. Chimes at Midnight, his final completed feature film as a director, is not one of them. A re-imagining of three of Shakespeare’s historical plays (with links to two more)...

Sometimes it’s the little things that impede the full success of an ambitious film. That’s the case with Alex Garland’s Civil War – an alternate-history dystopian road trip movie that does its best not to answer the many questions viewers ...

Colette, a U.S./U.K. collaborative bio-pic from director Wash Westmoreland (The Fluffer), presents a chronology of the celebrated French author during her Belle Epoque formative years. Transpiring across a span of nearly 20 years, the movie fa...

The Color of Money is a good movie, but perhaps not a good sequel. In revisiting the shady, obsessive world of former pool shark Fast Eddie Felson (Paul Newman), Martin Scorsese provides us with a character so different from the one found in Rober...