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Get ready for a deep dive into nostalgia. Ghostbusters: Afterlife, although boasting a next generation of Ghostbusters, works best for those who have seen (and at least somewhat remember) the original two Ivan Reitman films from the ‘80s. Althou...

After 40 years and four movies, Ghostbusters is starting to feel as long-in-the-tooth as the returning members of the main cast. Although there are those who thought any considerations of continuing the principal timeline (as opposed to the one sp...

What happens when Hollywood marries Charles Dickens, that wacky 19th century romantic comedy scribe, to Matthew McConaughey, that wacky naked bongo drum player? To begin with, great expectations should be curbed. The result is not as good as it sho...

Though it has been said that "No one expects the Spanish Inquisition," the reality of the matter was that for centuries, life in Spain was lived on the edge of a knife, where one wrong word or action could bring an innocent victim before an ecclesi...

The Great Raid seeks to be the kind of epic war film that was popular during the 1950s, 1960s, and 1970s. And, unlike many recent entries in the genre, it does not seek to take a revisionist look at war. The central premise is promising: a factua...

Sometimes with a movie like The Host, it's tough to determine whether the fatal flaws lie in the source material or the adaptation. Considering that the author of the source material is Stephenie Meyer, who singlehandedly defanged vampires and decl...

The Host is a strange little movie: part creature feature, part social commentary, and part slapstick comedy. The problem with the film is that the sum isn't greater than the parts and the pieces don't fuse in a way that's consistently pleasing or...

Hostage represents Bruce Willis' latest attempt to produce a thriller with the kind of broad appeal exhibited by his most successful big-screen endeavor, Die Hard. The largest potential drawback to enjoying this movie is getting past some of the p...

Sometimes, calling something "cheesy" and "B-grade" can be construed as a compliment. But not in Hostel's case. A thrill-less thriller that uses gore to obfuscate its inability to generate tension, this motion picture has the profile one might ex...