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For those who think reviewing films is easy and fun, I offer Grandma's Boy as my rebuttal. That's 96 minutes (plus travel time) and $6.00 (matinee price) that I'll never get back, no matter what I write here. Legal theft. This is one of those mov...

Home of the Brave starts out with promise as it shows to good effect the chaos and uncertainty inherent in "battling" in current-day Iraq. Unfortunately, after the action shifts from the deserts of the Middle East to the relative calm of the home ...

Movies have always used the "from the makers of..." line. You know, "a new film from the makers of Lawrence of Arabia" or "a new film from the makers of Glory". Kingpin employs this time-honored tradition, except, in this case, it proudly cla...

The Layover is an appalling movie – a reworked version of the essential plot elements of 2011’s Something Borrowed with everything worthwhile (and there wasn’t much to begin with) removed. The result is an unpleasant, unwatchable example...

Welcome to cyberspace, the newest locale for the action-adventure film. Borrowing heavily from Alfred Hitchcock and John Grisham, director Irwin Winkler reduces a potentially-fascinating premise to the spearhead of a routine thriller. The Net sta...

Old School is exactly what director Todd Phillips intends for it to be: low-brow, moronic to a fault, and occasionally side-splittingly funny. I laughed aloud seven or eight times during this film, and smiled or chuckled on a few additional occas...

In the 1980s, Porky's spawned an era of teen sex comedies that took most of the decade to die out. Last year, American Pie re-invented the genre, albeit with more wit, moxie, and forthrightness than anything in the '80s ever showed. Todd Phillips...

When the filmmakers started out two films ago, the Scary Movies were funny. Since then, it has been a rapid decline through mediocrity into near-unwatchability. Absent for this third installment are the Wayans Brothers, who are replaced by David ...

Scream is a rarity: a horror movie spoof that succeeds almost as well at provoking scares as laughs. That's because director Wes Craven (A Nightmare on Elm Street), in addition to having a genuine affection for the genre, understands how wildly...

Big Hollywood productions aren't the only ones to rely on formula. For his feature debut, director Noam Murro has taken the safe route of enlisting the "redemption of the misanthrope" narrative. Everything one expects from such a tale is found he...